Wednesday 24 March 2021

TAGORE AND KHALIL GIBRAN

 

TAGORE AND KHALIL GIBRAN

It was while reading Khalil Gibran’s The Prophet that I discovered that his views about the nature of God were similar to those of Tagore.

             Khalil Gibran the Labanese-American poet was born on 6th January 1883 in Lebanon.  He passed away on 10th April 1931 in New York .  

            Rabindranath Tagore was a Bengali poet. He was born on 7th May 1861 at Calcutta (now Kolkata) and passed away in the same city on 7th August 1941. He was awarded Nobel Prize in Literature in 1913.  

            As Khalil Gibran is best known for his mystical writings in The Prophet, so is Tagore known for his spiritual lyrics in Gitanjali.

            The Irish writer and mystical poet A.E. George Russell (1867-1935) observes: “I do not think the East has spoken with so beautiful a voice since the Gitanjali of Rabindranath Tagore as in The Prophet of Khalil Gibran. “

In his September 1912 ‘Introduction ” to Gitanjali, Irish poet William Butler Yeats (1865-1939) records the following statement of an Indian traveller: “ Every morning at three ---- I know, for I have seen it, he (Tagore) sits immovable in contemplation, and for two hours does not awake from his reverie upon the Nature of God. “

            Given below are the two concordant versions, one by Tagore and the other by Gibran, about the nature of God.

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TAGORE TO A PRIEST

Leave this chanting and singing and telling of beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!  

He is there where the tiller is tilling the hard ground and where the path-maker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put off thy holy mantle and even like him come down on the dusty soil!

Deliverance? Where is this deliverance to be found? Our master himself has joyfully taken upon him the bonds of creation; he is bound with us all for ever.

Come out of thy meditations and leave aside thy flowers and incense! What harm is there if thy clothes become tattered and stained? Meet him and stand by him in toil and in sweat of thy brow.

 

KHALIL GIBRAN TO A PRIEST

            Is not religion all deeds and all reflections? And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?

            Who can separate his faith from his actions, or his belief from his occupations? Who can spread his hours before him saying, “Tis for God and this for myself; this for my soul and this other for my body”?

            All your hours are wings that beat through space from self to self. He who wears his morality but as his best garment were better naked. The wind and the sun will tear no holes in his skin.

And he who defines his conduct by ethics imprisons his song-bird in a cage.   The freest song comes not through bars and wires.

And he to whom worshipping is a window to open but also to shut, has not yet visited the house of his soul whose windows are from dawn to dawn.

Your daily life is your temple and your religion. Whenever you enter into it take with you your all. Take the plough and the forge and the mallet and the lute. The things you have fashioned in necessity or for delight.

            For in reverie you cannot rise above your achievement nor fall lower than your failures. And take with you all men: For in adoration you cannot fly higher than their hopes nor humble yourself lower than their despair.

            And if you would know God, be not therefore a solver of riddles. Rather look about you and you shall see Him playing with your children.

            And look into space; you shall see Him walking in the cloud, outstretching His arms in the lightning and descending in rain.

            You shall see Him smiling in flowers, then rising and waving His hands in trees.  

                                                                        **********

 

24th March 2021                                                                     G. R. KANWAL

 

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