THE HERO IN HISTORY
History is undoubtedly replete with
the stories of kings and warriors who are remembered as heroes and strike awe
in our hearts whenever we read about their mighty adventures in which they
demonstrated their skill and valour as warriors motivated by personal ambition
or inspired by national aspirations. Some of them like Alexander the Great or
Tamerlane wished to become world conquerors.
In this context, Sidney Hook has an
interesting view point. According to
him no individual
makes history de novo. He is always
limited by his times and his culture. energy and intelligence may be unique but
what he wants and what he sets himself
to do , are rooted in what Hegel calls “objective mind”, and what
anthropologists today call culture – the super-individual institutions of
speech, family, religion, art and
science.
In a sense the activities of the
hero in history, like Maharaja Porus and Alexander the Great, must be
understood not as the actions of an individual versus the environment but as
the interactive operation of one aspect of a culture in relations to
others.
The point to be noted is that the
great man whom we call a hero can do only what his culture permits but ----and
this is crucial - the culture permits of only one direction of development and
there are no genuine alternatives.
Sidney Hook contends that there is a difference between what
men, even great men called heroes, imagining they are doing and the objective
meaning or significance of what they do.
The meanings of their acts must be understood primarily in terms of
historical trends that have begun in the past, embrace the present and point to
the future. Moral righteousness before
the stern deeds of history is the easy privilege of those who judge events one
by one. But it is an illusion of finite
perspective.
To say it briefly, the
world-shattering deed or thought which testifies to the presence of greatness
is possible only when the culture is prepared for it.
Sidney Hook rightly believes that a
great man is an “expression,” “a representative”,” a symbol,” “an instrument”
of historical and social forces on whose currents he rides to renown and
victory. This critic of history goes on
to add, “If we want to grasp the course and reason of his greatness, his
biography or purely personal traits are relatively un-important. It is to the society and culture of his times
that we must turn.
The present study on Maharaja Porus
is based on the above-mentioned assertions and much more.
DR G R KANWAL
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